Posts Tagged ‘Free Shit’. So After all the punk junk with the Reatards most of you know I went on too play for six years in the synth punk band Lost Sounds.While looking back its not my favorite stuff I’ve been part of it is the one band I am most proud of being in. So heres two dusty out takes from our last st/ album.Most People. Reatards - Bed Room Disasters (Full Album) Junkie Business. Unsubscribe from Junkie Business? Cancel Unsubscribe. Subscribe Subscribed Unsubscribe 13.4K.

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›.Jay Reatard performing at the in 2008.Background informationBirth nameJimmy Lee Lindsey Jr.BornMay 1, 1980, U.S.Origin, U.S.DiedJanuary 13, 2010 (2010-01-13) (aged 29)Memphis, Tennessee, U.S.Genres,Occupation(s)Musician, songwriterInstrumentsVocals, guitar, bass guitar, percussion, keyboardsYears active1995–2010Labels, Shattered,Associated acts, Nervous Patterns, The Final Solutions, Angry Angles, Terror Visions, Bad Times, Evil ArmyWebsiteJames Lee Lindsey Jr. (May 1, 1980 – January 13, 2010), better known by the stage name Jay Reatard, was an American musician from.

Lindsey was signed to. He released recordings as a solo artist and as a member of. Contents.Biography Early life Lindsey was born in Lilbourn, Missouri in 1980. He and his family moved to Memphis when he was 8 years old, since his father struggled to find employment in his hometown. Lindsey's recording career began at the age of 15, when a home-made demo tape he had sent in to caught the ear of former and Goner Records' owner. Reatards Bedroom Disasters Rar File 2017For David Goggins, childhood was a nightmare - poverty, prejudice, and physical abuse colored his days and haunted his nights. But through self-discipline, mental toughness, and hard work, Goggins transformed himself from a depressed, overweight young man with no future into a US Armed Forces icon and one of the world's top endurance athletes.Lindsey's introduction to Friedl and his Oblivians bandmates had come that same year when the Oblivians had returned home to Memphis as an opening act for.

Upon seeing the act live, Lindsey became enamored with their sloppy, lo-fi music and set forth creating his own brand of heavily distorted garage rock music. Friedl was impressed by Lindsey's demos and signed him to his label, later commenting, 'I loved the racket so we did the record, and I've been a fan of everything he's done since. He's a pretty amazing kid.' Lindsey named his first project the Reatards, which at the time included only himself as a member, and adopted an Oblivians-influenced surname, calling himself 'Jay Reatard'. The Reatards' first release on Goner was a 7' EP called Get Real Stupid, which featured Lindsey as a solo performer alternating between playing guitar, singing, and beating on a bucket to provide a percussive rhythm. Around this time, a member of The Oblivians, briefly played drums for Lindsey.Cartwright played shows and recorded with Lindsey on his first (self-released) cassette, Fuck Elvis, Here's The Reatards (No-Fi Records) - which featured recording assistance from, another Oblivian.For Lindsey's second vinyl release he recruited a backing band, hiring bassist Steve Albundy and drummer Elvis Wong to accompany him.

The Reatards' first LP as a trio was 1998's on Goner Records. This was followed by a second LP, Grown Up Fucked Up on eMpTy Records (US), and a number of singles. The Reatards' first European tour came in 1998, when Lindsey was 18. 2000s In 2001 Lindsey began recording music with and Rich Crook as the Lost Sounds, a side project which would ultimately usurp the Reatards as Lindsey's primary musical venture.

With alternating male and female vocals, as well as prominently-employed, the Lost Sounds were a departure from the guitar-driven garage rock of the Reatards, and had a sound more akin to the early punk rock of, a synthesizer-heavy punk band that Lindsey had been exposed to by Elvis Wong shortly after the recording of the Reatards' first LP.Lindsey once claimed that his time in the Lost Sounds 'was and is more fun than anything else I have ever done.' Yet despite Lindsey's enthusiasm for the band, the Lost Sounds bitterly broke up in 2005.Lindsey was a prolific songwriter, often acting as a member and contributing compositions to two or more bands concurrently. One of Lindsey's first side projects was the Bad Times, a one-off band which included. The band recorded an album's worth of material after only one practice session in 1998, releasing a self-titled LP in 2001.After one live performance the band disbanded, the members returning to their respective solo commitments.While Lindsey was still a member of both the Reatards and the Lost Sounds he joined a side project called the Final Solutions. Lindsey's association with the future members of the Final Solutions began while he was still a teenager.

Fighting problems at home, Lindsey opted to take up residence with members of a local band called the Jackmonkeys.While he was rooming with the band he was conscripted to play drums for them at a battle of the bands which was being held at the school's cafeteria. With Lindsey on drums, the band, under the moniker 'the High and Mightys,' performed a set of Oblivians covers, earning instant hate in the competition (FS bassist Tommy Trouble's band, the Squirrels earned third place). After separating for a number of years the group reformed under the name the Final Solutions and began touring and releasing albums.In 2004, Lindsey, together with his ex-girlfriend, Alix Brown of rock band the Lids, formed Shattered Records, an independent record label that released mainly limited edition vinyl. Shattered Records released records for a number of lo-fi punk and rock bands, including: Kajun SS, Tokyo Electron, The Reatards, Final Solutions, Terror Visions, Angry Angles, Carbonas, Rat Traps, and the Knaughty Knights.In 2007 Lindsey put Shattered Records on hold while he promoted his solo records.Then in 2009 Lindsey revived the label with the 'Shattered Record Club' and the announcement of his final solo album.Out of this partnership came another musical endeavor for Lindsey, the Angry Angles.

Together with Brown, and alternating between drummers Paul Artigues from Die Rotzz and Ryan Rousseau ('Elvis Wong') from Tokyo Electron, the band began touring the U.S.In the Fall of 2006. Before the band had even released its second single, Lindsey and Brown began a short European tour.

The Angry Angles disbanded after releasing a number of vinyl singles.By 2005 both the Reatards and the Lost Sounds had broken up, and Lindsey focused his attention on a handful of side projects, working with and releasing material as Terror Visions and Destruction Unit. Though after he began focusing on his solo career in 2006, Lindsey said he has no desire to reform his previous bands.' I'd just feel like I was going backwards if I worked on anything else,' Lindsey said.2006 saw the release of (In the Red), Lindsey's first solo album under the moniker Jay Reatard. After a lengthy tour supporting his solo album, in 2008 he signed a multi-album, exclusive deal with the New York-based indie label.

Lindsey chose Matador because he felt they were 'the only ones keeping any of the promises they'd made along the way.' A number of major labels like, and along with independent wanted to meet with him in the hopes of signing him.He released six limited, 7' singles throughout 2008 with Matador. Soon after the release of the first single and write-ups in, and, Lindsey began playing larger shows and various music festivals all over the world.' My Shadow' was featured in.In October 2008 Lindsey's Matador Singles '08 LP compiled all six of the 2008 singles on one LP/CD. Lindsey again hit the road to support the album with a second, extensive 2008 tour.Lindsey's later records sound drastically different from his early punk records.

He said writers often misinterpret his newer sound. 'I just think it's noisy pop music,' Lindsey said.Lindsey's final album, (his first proper studio album with Matador), was released in August 2009. He described this collection of songs as more melodic and -inspired.In a 2009 interview, Lindsey said 'these new batch of songs feature organ, some mandolins, a cello, a lot more back-ups and harmonies.' He noted that he'd 'become a little bit more about the melodies.

I think I stripped away a layer of the fuzz; I might have been challenging people before to find them and this time I might be making them a little bit more obvious.' While he claimed was more mellow than his previous works, Lindsey said his live show would remain energetic.'

I just want it to be like an assault live, and softer on records,' he said.In an August 2009 interview with Turn it Down Interviews, Lindsey said the album's lyrics are centered around his growing fear of death and the betrayal of close friends.After the release of Watch Me Fall, Lindsey contributed to a tribute album for New Zealand rock and roll musician, with whom he was to collaborate until Knox suffered a stroke in June 2009. All proceeds from the album will go towards Knox's recovery.Lindsey's band (that consisted of members of another Memphis band, The Barbaras) quit playing with Lindsey around October 5, 2009, although specific details were not released.

He finished the dates he had previously booked with replacement players, the bassist and drummer of the Danish band, with whom he had previously toured.Lindsey appeared on a Nirvana 'In Utero' tribute limited release record on April 19, 2014 during Record Store Day.Lindsey played 'Frances Farmer Will Have Her Revenge on Seattle' and was one of the last recordings before his death. Death James was found dead in his home in the neighborhood of, around 3:30 a.m. On Wednesday, January 13, 2010. He was found in his bed by a roommate.

He was 29 years old.A statement was posted on the website of that Lindsey had died in his sleep. Friends of Lindsey stated that he had recently complained of flu-like symptoms. An autopsy was performed by the medical examiner. Memphis's reported on February 3 that Lindsey had died of ', and that alcohol was a contributing factor in his death.'

Reported that police had begun a homicide investigation and were actively looking for a possible suspect.The report was later removed from the TV station's website.A memorial was held for Lindsey on Saturday, January 16 in Memphis at Memorial Park Funeral Home, attended by family and friends. Musician and friend, founder of Goner Records, and bandmate Stephen Pope eulogized Lindsey. One of Lindsey's trademark white guitars hung behind his coffin at the funeral home; he was buried with the guitar the next day at.A feature-length documentary film titled Better Than Something: Jay Reatard was released in March 2012. The film, made by New York City filmmakers Alex Hammond and Ian Markiewicz, is an elaboration of their short film Waiting For Something. The film predominantly features footage shot with Lindsey in April 2009, along with never before seen concert and home video footage, and cameos from many of Lindsey's family members and colleagues. Better Than Something: Jay Reatard premiered at the Nashville Film Festival in Nashville, Tennessee in April 2011.In January 2012, Lindsey's manager Adam Shore collaborated with the to create a memorial T-shirt.The design is based on a photograph of Lindsey's, with the initials 'JR' added to the headstock.

All profits from the sale of this T-shirt have benefited the St. Reatards Bedroom Disasters Rar File 2016Judes Research Hospital, a charity designated by Lindsey's father.In 2014, the French label Teenage Hate Records released a 'French Tribute to Jay Reatard' with 14 French bands. Cheveu, Magnetix, Kap Bambino, Bikini Machine & Didier Wampas, The Liminanas and few more release a cover for the records. Retrieved 2012-09-30. ^.Archived from on 2000-08-19. Retrieved 2012-09-30.

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Davis, Chris (January 17, 2010). Retrieved January 17, 2010. Peisner, David (January 19, 2010). Retrieved January 19, 2010.Yellow Bird Project. Retrieved 2015-09-30. Retrieved 2015-04-30.Teenage hate records. Retrieved 2015-09-30.Retrieved 2015-04-30.External links.